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SILK BY APPLICATION · 100% MULBERRY SILK

Silk Fabric for Quilting, Embroidery & Crafts

Small quantities, honest prices, and silks that behave under a needle.

START WITH WEIGHT

The momme windows that actually work

These are the ranges we recommend to clients building for this application — not the full library, just the weights that behave.

home-sewing weight

5–16 mm

light on the machine, forgiving to sew, easy to hand-finish.

Quilters and embroiderers do not need a production quantity, they need the right hand in a small piece. Stock qualities are available from a single metre, and the low-MOQ colours are the ones that appear in every patchwork palette: ivory, bone, champagne, black, navy, dusty rose.

The craft-friendly silks are the stable ones. Twill and dupioni keep their shape when pieced, habotai and batiste are the best grounds for hand embroidery, organza adds a sheer layer without bulk, and silk noil is the forgiving entry point if you have never sewn silk before.

The four jobs, and the silks that do them

Every garment in this category divides into construction jobs. Matching a weave to each job is faster than choosing a fabric you like and hoping it behaves.

Piecing and patchwork

Silk dupioni 19 mm (crisp, presses flat), silk twill 14 mm (stable, no distortion), silk noil 35 mm (textured, easy).

Hand embroidery ground

Silk batiste 6–12 mm and habotai 8–12 mm — even weave, closes around stitching.

Sheer layering

Silk organza 8 mm and silk gauze 5 mm, for a translucent top layer.

Backing and lining

Habotai 8–12 mm, the smooth lining that lets a quilt slide.

What to look for when you order

  • Pre-wash and press before cutting — silk shrinks 3–5% on the first wash
  • Use size 60–70 needles and silk or fine glass-head pins inside the seam allowance
  • Cut slubbed silk (dupioni, shantung) with the slub running the same way on every piece
  • For appliqué, batiste and organza take a fusible web far better than satin

Fabrics our clients order for this

FamilyWeightsApprox. weightHand
Silk Charmeuse & Satin16, 19, 22, 25≈ 69–108 gsmThe all-rounder: opaque enough to line a skirt, fluid enough for bias cutting.
Silk Crepe de Chine12, 14, 16≈ 52–69 gsmQuiet-luxury workhorse. Matte, finely crinkled, and forgiving to sew at almost any skill level.
Silk Georgette8, 10, 12≈ 34–52 gsmSemi-sheer with a granular crêpe texture — the traditional floating-overlay silk.
Silk Chiffon6, 8≈ 26–34 gsmThe lightest cloth we weave. Almost transparent, floats rather than hangs.
Silk Organza4, 6≈ 17–26 gsmCrisp, starched transparency — the fabric that makes a hoop skirt stand away from the body.
Silk Gauze & Tulle3, 4, 5, 6≈ 13–26 gsmThe lightest textile in the library. Almost weightless gauze for veils and overlays.
Batiste & Voile6, 8, 10, 12≈ 26–52 gsmA fine plain-weave voile silk — smooth, cool, and the easiest sheer to sew.
Silk Habotai5, 6, 8, 10, 12, 16≈ 22–69 gsmThe default lining silk of the trade. Smooth, cool, and slippery enough to let a garment move.
Silk Twill & Foulard12, 14, 16, 18, 20≈ 52–86 gsmA clean diagonal that presses sharp and takes a print beautifully — the scarf and blouse standard.
Sandwashed Silk16, 19, 22≈ 69–95 gsmGarment-washed to a matte, buttery hand. Will not crease on the hanger.
Digital Printed Silk6, 8≈ 26–34 gsmDigital print on the lightest chiffon base. Custom designs from 40 meters per design.

Every family above is 100% mulberry silk, available from 1 metre in stock colours, with custom dyeing from 40 metres per colour. If the weight you need is not listed, ask — most families are woven across a wider range than the stock card shows.

How much quilting, embroidery & crafts to order

Planning quantities, from standard block patterns. Figures are for a plain layout with no pattern repeat to match.

Garment or itemAt 114 cm widthAt 140 cm widthNotes
Scarf 90 × 90 cm1.0 m1.0 mIncludes a narrow hand-rolled hem; allow more for a wide hem or a border print
Camisole or shell top1.2 m1.0 mBias cut; add 15% if the design is cut on the true bias
Blouse or shirt2.0 m1.6 mStraight body, set-in sleeve; more for a gathered or oversized body
A-line skirt1.5 m1.2 mAbove-knee; a full circle skirt needs roughly double
Straight dress2.8 m2.2 mKnee length, no train, bodice and skirt from one length
Bias slip dress3.2 m2.6 mBias layouts waste more; buy the length the pattern states, not the flat measure
Evening gown with train5.5 m4.5 mFloor length; fitted bodice plus a trained skirt needs a second length to match
Standard pillowcase 50 × 70 cm0.7 m0.7 mEnvelope closure; pair two if the fabric has a directional nap
Curtain panel, 2× fullness—3.0 m per metre of dropRule of thumb: drop × 2 to 2.5 for pencil pleat, plus hem and heading allowance

These are planning figures from standard block patterns, not a cutting guarantee. They assume no pattern matching and no nap. Add 10–15% for a large repeat or a one-direction print, and add your shrinkage allowance before you order. If a program is costing on metres, send us the marker and we will quote against the actual consumption.

Cutting and sewing this weight

Silk is not difficult to sew, but it punishes the wrong needle. The parameters below are the ones our clients converge on for this weight band; test on an offcut first, because a needle size that is fine for one finish will pick threads in another.

ParameterWhat we recommend for 3–25 mm (≈ 13–108 gsm)
Machine needle70/10 to 80/12, fresh needle every few garments
Stitch length10–12 stitches per inch (2.5 mm)
ThreadFine mercerised cotton, silk-finished polyester, or spun silk — matched to the shell so the seam does not pucker
Interlining / support25–40 gsm, or a hair-canvas chest piece for a structured bodice
Pressingsilk setting with steam, always through a cloth; do not glaze a satin face
Pre-shrinkingcold soak, or have the piece steam-shrunk before laying the pattern
Seam finishFrench or hairline seam on anything sheer; overlocked and turned on opaque weights
  • Cut single layer. Silk shifts, and a folded lay gives you two panels that are not mirror images.
  • Pin inside the seam allowance only, with fine glass-head or silk pins — a pin hole through charmeuse or a satin face is permanent.
  • Use a fine, well-twisted thread. A thick thread in a fine needle leaves a visible channel and puckers the seam.
  • Mark the straight grain on every panel before you lift it off the table. On a bias-cut garment the grain line is the whole design.
  • French seams or hairline seams on anything sheer: a plain turned seam shows as a dark line through the cloth.

What to check before you cut

Every roll is inspected before dispatch, but cloth is a natural product and dye lots vary. These are the eight checks worth making at goods-in — they take two minutes and they are the difference between a claim and a write-off.

CheckHow to do itWhat is a problem
Shading, side-to-side and end-to-endLay the cloth folded end to end and across the width under daylight or a D65 lamp.Any visible step between the centre and the selvedge, or between the start and the end of a roll.
Bowing and skewingSquare the cloth on a table and measure the diagonal, or check a printed repeat against the selvedge.The weft running more than a few centimetres off square across the width — it distorts every panel cut from it.
Slubs, thick and thin placesExpected and structural in dupioni and shantung; check for consistency across panels.A slub count that varies sharply between panels of the same garment.
Broken ends, floats, snagged yarnsHold the cloth up to a light source and scan across the width.Any broken filament on a satin face — it will run under tension.
Crease marks and chafe marksUnroll flat and look across the surface at a low angle.Permanent creases pressed into a finish, or abraded lines where the roll has rubbed in transit.
Soiling, oil and water marksScan both sides; some marks only show on the reverse.Any spot. Silk stains cannot be safely spot-cleaned before dyeing.
Width short against the ticketMeasure the usable width between the selvedges, excluding the pin-holes.Less usable width than the quotation states — markers are often drawn tight.
Hand and finish against the approved sampleCompare to the bulk sample you signed off, in the same lighting.A softer or firmer hand, or a difference in lustre. Finishing drifts between dye lots.

Every roll we ship is inspected before it leaves, and any piece with a defect is cut short and the metrage credited rather than passed on. Even so, check the cloth before it goes under the knife: once a piece is cut it is accepted. Report anything within seven days of delivery with the roll number.

Frequently asked questions

Can you quilt with silk?

Yes — dupioni and twill are the easiest because they are stable and press flat. Use a light batting, a 2.0–2.5 mm stitch length, and a walking foot to stop the layers shifting.

What silk is best for hand embroidery?

Silk batiste and habotai in 6–12 mm. The plain weave is even, closes around the needle, and does not distort under dense stitching. Organza is used when you want the stitching to float.

Can I buy small amounts of silk fabric?

Yes, from 1 metre on stock qualities and stock colours. That is enough for a sample, a scarf, a cushion or a patchwork block without committing to a roll.

How much silk do I need?

It depends on the pattern, the width and whether the design is cut on the bias. The planning table on this page gives working figures for the usual garments at both 114 cm and 140 cm; add 10–15% for a large print repeat and add your shrinkage allowance on top. For a production run, send us the marker and we will quote against real consumption rather than an estimate.

Does this application need a lining?

Usually it is a question of opacity and friction rather than comfort. Below roughly 16 mm most silks are translucent in pale colours and need a lining or an underlayer; above 19 mm a dress silk is generally opaque enough to stand alone. Where the garment has to slide over another layer — a jacket over a blouse, a skirt over hosiery — a lining is about friction, not modesty, and a habotai lining is the standard answer.

Which weight should I choose if I am not sure?

Order one metre of two adjacent weights and hang them. Weight is the single variable that changes how a silk behaves, and it cannot be judged from a photograph or a spec sheet. Tell us the garment and we will send the two weights we would put in front of a client for that application.

Can you print or dye the fabric for this application?

Yes. Custom dyeing starts at 40 metres per colour with a lab dip approved before bulk, and digital printing starts at 40 metres per design after a strike-off. Send the artwork and the base fabric you have in mind and we will confirm what the print can hold before you commit to a quantity.

How do I stop the fabric slipping while I cut it?

Cut single layer on a surface with some grip — a flannel-backed table cover or tissue paper under the cloth both work. Pin inside the seam allowance only, use fine silk pins, and consider a rotary cutter and weights instead of shears on slippery weights. On very light silks, cutting between two layers of tissue paper keeps the cloth from moving under the blade.

What is the minimum order, and how fast can you dispatch?

Stock colours are available from one metre, which is enough to sample a weight and a colour properly. Custom dyeing and printing start at 40 metres per colour or design. Stock dispatch is a matter of a few working days; dyed and printed runs are quoted with a confirmed date once the lab dip or strike-off is approved.

PHOTOGRAPHED FROM OUR STOCK

The fabrics, as they arrive

Unretouched photographs from our own floor, sampled across the families below.

Other applications

All silk fabric families

Swatches for quilting, embroidery & crafts

Send the application and the weight you are considering — we will post the closest stock qualities the same week.

BUYING QUESTIONS

Buying questions

Ordering terms for this application: minimums, dips, lead times, stock.

SILK WEIGHTS IN DETAIL

One page per weight

What we actually weave at each weight — the families, the qualities, what it suits and how it sews.