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SILK BY APPLICATION · 100% MULBERRY SILK

Silk Fabric for Curtains, Bedding & Home Decor

Weight, width and light-fastness — the three things interiors buyers ask about first.

START WITH WEIGHT

The momme windows that actually work

These are the ranges we recommend to clients building for this application — not the full library, just the weights that behave.

bedding sweet spot

19–25 mm

22 mm is the benchmark for bedding — warm, opaque, and durable wash after wash.

Interior silk lives under different rules from garment silk. Curtains need width and weight so they hang in straight folds; bedding needs 30 mm and up so it survives washing; upholstery needs density and a weave that resists abrasion. The 12 mm dress silks are the wrong tool here.

Width is the practical constraint: at 140 cm you can cut most curtain panels without a vertical join, which is why 140 cm qualities sell into interiors far more than 114 cm ones. Light-fastness matters too — silk fades, so specify a lining and avoid direct south-facing exposure for deep-dyed shades.

The four jobs, and the silks that do them

Every garment in this category divides into construction jobs. Matching a weave to each job is faster than choosing a fabric you like and hoping it behaves.

Curtains and drapes

Dupioni 19–25 mm and shantung 18–25 mm for texture and body; 30 mm faille for a formal drape.

Bedding and pillowcases

Charmeuse 30 mm, sandwashed faille 30 mm, 22 mm charmeuse for lighter covers.

Cushions and throws

Noil and raw silk 35 mm, brocade and matelassé to order.

Upholstery

Heavy brocade, 40 mm plain satin, silk velvet — woven to order from 40 m.

What to look for when you order

  • Specify 140 cm width so panels need no vertical seam — joins show badly in raking light
  • Line every curtain: it protects the silk from UV and improves the fold
  • Bedding silks should be pre-shrunk and wash-tested before a production run
  • For upholstery, confirm abrasion performance and use a knit backing on lighter qualities

Fabrics our clients order for this

FamilyWeightsApprox. weightHand
Silk Charmeuse & Satin12, 16, 19, 22, 25, 30≈ 52–129 gsmThe industry bestseller. Crepe-backed satin with a fluid, skin-skimming fall and a matte reverse.
Silk Crepe de Chine19, 22, 25, 30≈ 82–129 gsmStructured crepe that holds a shoulder line — the fabric behind relaxed tailoring.
Silk Georgette20, 22, 25, 30≈ 86–129 gsmA high-end georgette, fully opaque with a fine-grained surface and a slow, heavy drape.
Silk Organza6, 8, 10, 12≈ 26–52 gsmCrisp with more body than 4 mm, and the most popular weight for bridal overlays.
Silk Twill & Foulard20, 25, 30, 40≈ 86–172 gsmWide flat ribs with a soft, heavy fall — the fabric of an elegant suit or a couture skirt.
Silk Dupioni18, 19, 20, 22, 25≈ 77–108 gsmIrregular slubs from the cocoon make every metre different — the texture is the point.
Silk Taffeta8, 10, 12, 16≈ 34–69 gsmPaper-crisp with the classic taffeta rustle. Holds a full skirt without an underskirt.
Noil & Raw Silk35, 40≈ 151–172 gsmShort staple spun from waste silk. Matte, rustic and completely unpolished.
Sandwashed Silk16, 19, 22≈ 69–95 gsmGarment-washed to a matte, buttery hand. Will not crease on the hanger.
Digital Printed Silk16, 19, 22≈ 69–95 gsmReactive-dyed to a Pantone reference. Stock colours from 1 meter; custom from 40 meters.

Every family above is 100% mulberry silk, available from 1 metre in stock colours, with custom dyeing from 40 metres per colour. If the weight you need is not listed, ask — most families are woven across a wider range than the stock card shows.

How much curtains, bedding & home decor to order

Planning quantities, from standard block patterns. Figures are for a plain layout with no pattern repeat to match.

Garment or itemAt 114 cm widthAt 140 cm widthNotes
Scarf 90 × 90 cm1.0 m1.0 mIncludes a narrow hand-rolled hem; allow more for a wide hem or a border print
Camisole or shell top1.2 m1.0 mBias cut; add 15% if the design is cut on the true bias
Blouse or shirt2.0 m1.6 mStraight body, set-in sleeve; more for a gathered or oversized body
A-line skirt1.5 m1.2 mAbove-knee; a full circle skirt needs roughly double
Straight dress2.8 m2.2 mKnee length, no train, bodice and skirt from one length
Bias slip dress3.2 m2.6 mBias layouts waste more; buy the length the pattern states, not the flat measure
Evening gown with train5.5 m4.5 mFloor length; fitted bodice plus a trained skirt needs a second length to match
Standard pillowcase 50 × 70 cm0.7 m0.7 mEnvelope closure; pair two if the fabric has a directional nap
Curtain panel, 2× fullness—3.0 m per metre of dropRule of thumb: drop × 2 to 2.5 for pencil pleat, plus hem and heading allowance

These are planning figures from standard block patterns, not a cutting guarantee. They assume no pattern matching and no nap. Add 10–15% for a large repeat or a one-direction print, and add your shrinkage allowance before you order. If a program is costing on metres, send us the marker and we will quote against the actual consumption.

Cutting and sewing this weight

Silk is not difficult to sew, but it punishes the wrong needle. The parameters below are the ones our clients converge on for this weight band; test on an offcut first, because a needle size that is fine for one finish will pick threads in another.

ParameterWhat we recommend for 6–70 mm (≈ 26–300 gsm)
Machine needle70/10 to 80/12, fresh needle every few garments
Stitch length10–12 stitches per inch (2.5 mm)
ThreadFine mercerised cotton, silk-finished polyester, or spun silk — matched to the shell so the seam does not pucker
Interlining / support25–40 gsm, or a hair-canvas chest piece for a structured bodice
Pressingsilk setting with steam, always through a cloth; do not glaze a satin face
Pre-shrinkingcold soak, or have the piece steam-shrunk before laying the pattern
Seam finishFrench or hairline seam on anything sheer; overlocked and turned on opaque weights
  • Cut single layer. Silk shifts, and a folded lay gives you two panels that are not mirror images.
  • Pin inside the seam allowance only, with fine glass-head or silk pins — a pin hole through charmeuse or a satin face is permanent.
  • Use a fine, well-twisted thread. A thick thread in a fine needle leaves a visible channel and puckers the seam.
  • Mark the straight grain on every panel before you lift it off the table. On a bias-cut garment the grain line is the whole design.
  • French seams or hairline seams on anything sheer: a plain turned seam shows as a dark line through the cloth.

What to check before you cut

Every roll is inspected before dispatch, but cloth is a natural product and dye lots vary. These are the eight checks worth making at goods-in — they take two minutes and they are the difference between a claim and a write-off.

CheckHow to do itWhat is a problem
Shading, side-to-side and end-to-endLay the cloth folded end to end and across the width under daylight or a D65 lamp.Any visible step between the centre and the selvedge, or between the start and the end of a roll.
Bowing and skewingSquare the cloth on a table and measure the diagonal, or check a printed repeat against the selvedge.The weft running more than a few centimetres off square across the width — it distorts every panel cut from it.
Slubs, thick and thin placesExpected and structural in dupioni and shantung; check for consistency across panels.A slub count that varies sharply between panels of the same garment.
Broken ends, floats, snagged yarnsHold the cloth up to a light source and scan across the width.Any broken filament on a satin face — it will run under tension.
Crease marks and chafe marksUnroll flat and look across the surface at a low angle.Permanent creases pressed into a finish, or abraded lines where the roll has rubbed in transit.
Soiling, oil and water marksScan both sides; some marks only show on the reverse.Any spot. Silk stains cannot be safely spot-cleaned before dyeing.
Width short against the ticketMeasure the usable width between the selvedges, excluding the pin-holes.Less usable width than the quotation states — markers are often drawn tight.
Hand and finish against the approved sampleCompare to the bulk sample you signed off, in the same lighting.A softer or firmer hand, or a difference in lustre. Finishing drifts between dye lots.

Every roll we ship is inspected before it leaves, and any piece with a defect is cut short and the metrage credited rather than passed on. Even so, check the cloth before it goes under the knife: once a piece is cut it is accepted. Report anything within seven days of delivery with the roll number.

Frequently asked questions

Can silk be used for curtains?

Yes — dupioni, shantung and faille are the usual choices because they have enough body to hang in folds and resist stretching. Always line them: unlined silk fades quickly in daylight.

What silk is best for bedding?

30 mm charmeuse or sandwashed faille: heavy enough to survive repeated washing and to drape over a duvet without clinging. 19–22 mm works for decorative covers rather than daily use.

How wide is silk fabric for curtains?

Most interior qualities are 140 cm (55") wide, which allows a full curtain panel without a vertical join. Dress-weight silks are often 114 cm (45"), which is too narrow for curtains.

How much silk do I need?

It depends on the pattern, the width and whether the design is cut on the bias. The planning table on this page gives working figures for the usual garments at both 114 cm and 140 cm; add 10–15% for a large print repeat and add your shrinkage allowance on top. For a production run, send us the marker and we will quote against real consumption rather than an estimate.

Does this application need a lining?

Usually it is a question of opacity and friction rather than comfort. Below roughly 16 mm most silks are translucent in pale colours and need a lining or an underlayer; above 19 mm a dress silk is generally opaque enough to stand alone. Where the garment has to slide over another layer — a jacket over a blouse, a skirt over hosiery — a lining is about friction, not modesty, and a habotai lining is the standard answer.

Which weight should I choose if I am not sure?

Order one metre of two adjacent weights and hang them. Weight is the single variable that changes how a silk behaves, and it cannot be judged from a photograph or a spec sheet. Tell us the garment and we will send the two weights we would put in front of a client for that application.

Can you print or dye the fabric for this application?

Yes. Custom dyeing starts at 40 metres per colour with a lab dip approved before bulk, and digital printing starts at 40 metres per design after a strike-off. Send the artwork and the base fabric you have in mind and we will confirm what the print can hold before you commit to a quantity.

How do I stop the fabric slipping while I cut it?

Cut single layer on a surface with some grip — a flannel-backed table cover or tissue paper under the cloth both work. Pin inside the seam allowance only, use fine silk pins, and consider a rotary cutter and weights instead of shears on slippery weights. On very light silks, cutting between two layers of tissue paper keeps the cloth from moving under the blade.

What is the minimum order, and how fast can you dispatch?

Stock colours are available from one metre, which is enough to sample a weight and a colour properly. Custom dyeing and printing start at 40 metres per colour or design. Stock dispatch is a matter of a few working days; dyed and printed runs are quoted with a confirmed date once the lab dip or strike-off is approved.

PHOTOGRAPHED FROM OUR STOCK

The fabrics, as they arrive

Unretouched photographs from our own floor, sampled across the families below.

Other applications

All silk fabric families

Swatches for curtains, bedding & home decor

Send the application and the weight you are considering — we will post the closest stock qualities the same week.

BUYING QUESTIONS

Buying questions

Ordering terms for this application: minimums, dips, lead times, stock.

SILK WEIGHTS IN DETAIL

One page per weight

What we actually weave at each weight — the families, the qualities, what it suits and how it sews.